Showing posts with label poaching. Show all posts
Showing posts with label poaching. Show all posts

Monday, 26 January 2015

Elephant No 115: From the Archives—The Disappearing Elephant





Every so often, I need a break from daily blogging. Rather than avoid posting altogether, however, I decided to re-post a fun project from my original Elephant a Day blog. Enjoy!


Today's elephant is based on a vintage optical illusion, colloquially called "The Disappearing Chinaman", invented by Sam Lloyd. First printed in 1896, the puzzle was revived in 1930 by Lloyd's son, Sam Lloyd, Jr.

The idea of this vanishing puzzle is simple in concept, but devilishly difficult to figure out at first glance. The puzzle involves a disc overlaying a larger scene. When the disc is rotated from NE to NW, it appears to make one of the small figures disappear. There are 13 figures when you start, and only 12 when the disc is rotated.

I had one of these in a box of reproduction vintage optical puzzles and illusions, so I used it to inspire today's elephant. For an explanation of the original puzzle, as well as a downloadable version you can assemble yourself, click here.


The Disappearing Chinaman, 1930.
Source: The Paradox Box, Julian Rothenstein,
Shambala, 1999.



I started by drawing a circle. Next, I drew a box measuring 12.5 x 17.5 cm (5 x 7 inches), to serve as the base. I then cut out both pieces, and linked them together with a small brad that allows them to freely rotate. I also drew the arrow that points to NE, and lines for both NE and NW.




Now came the part that was hard for me to wrap my mind around. Lining up one set of these lines, I began drawing elephants, overlapping them in various ways. The idea is to make it possible for adjacent elephants to line up in order to create a new elephant. One of them will need to be a "double" elephant to allow one of them to disappear when the disc is rotated.

This part literally took me hours. I played with the original puzzle, trying to figure out which figure disappears, and how to pose my elephants to make this happen. At first, it seemed easy: just make adjacent elephants work together. The problem arises when you get to the end of this process, and find that nothing matches. You end up with legs in the middle of nowhere, and no elephant with which to match them.

I tried elephants with all their legs facing into the middle. The bodies were outside the disc, and the legs were on the disc. I thought it might work if I made one set of four legs into two sets of two legs. While that works, it doesn't make anything disappear.

Next I tried circus elephants doing various things, with legs and arms all over the place. I ended up with the same problem: the elephants worked with their neighbours, but nothing disappeared.

I went back to the legs in the middle and bodies outside the disc. I actually thought I had it figured out, but discovered—just as I was about to ink everything in—that I again had elephants that worked with their neighbours, but no disappearing elephant.

In desperation, I referred to the original puzzle, and started drawing elephants in similar poses. I still ran into difficulties making some of the elephants match up, but I did finally make one of them disappear. From twelve elephants when the arrow points to NE, it dropped to eleven elephants when I moved the arrow to NW.




I still can't really explain how it works, and I'd never be able to reproduce this in different poses. But after three hours of drawing and erasing a dozen elephants, I was just happy it worked.

I inked everything in, and heat-set it with a hairdryer. I then painted everything with gouache.






When everything was dry, I assembled it and tested it again to be sure it worked. It did.

This is what it looked like with the arrow pointing to NE.




And this is what it looked like with the arrow pointing to NW.




Now that I know how to do this, I would be willing to redraw one exactly like this. But I'd never attempt adding extra elephants, and if anyone were to ask me how it works, I'd still have to say that I don't have a clue.






Elephant Lore of the Day
In early 2012, Cameroon was the site of one of the worst poaching episodes in recent memory. Within the space of a few hours, over 200 elephants were killed at Bouba N’Djida National Park in the northeastern part of the country. This is a full 50% of the elephants in the region, and it is suspected that poachers have moved into Cameroon as the next frontier, having already wiped out elephant populations in nearby Chad and the Central African Republic.

Over the past ten years, elephants have been disappearing at an astonishing rate. A passion for ivory in the Far East—and a growing ability to afford it—is driving demand for elephant tusks in every part of the world. Where people once saw the occasional poacher picking off an elephant or two, there are now well-equipped marauders in jeeps and helicopters, armed with high-powered rifles.

Not content with killing elephants, in some parts of Africa they have also taken to murdering those whose job it is to protect dwindling wildlife populations. Nor do they limit themselves to rifles. Some poachers simply lob grenades into herds of elephants, or leave out poison-laced fruit. In some parts of Africa, the illicit trade in ivory is even believed responsible for supporting military forces, including as the disgraced Joseph Kony's rebel army in Uganda, and warlords in Somalia.

Poaching appears to be driven primarily from outside Africa. Many of the most recent arrests for ivory poaching have been of Chinese middlemen, caught with large shipments of African ivory. According to several sources, the number of Chinese nationals now operating in Africa's illicit ivory trade is growing, with no end in sight. Nor are elephants the only animals affected. In 2011, more than 400 rhinos were killed in South Africa for their horns, which are used in traditional Chinese medicine.

Africa is not alone. A number of elephant populations in Asia are also seriously endangered. At least one country's elephants are about to become extinct. Much of this is also due to poaching, although habitat loss is a significant factor in Asia as well.

This is not to say that no one cares. There are dedicated conservationists in China, Thailand, India, Sri Lanka, and even countries with tiny populations of elephants such as Vietnam, Cambodia and Laos. The same is true of Africa, where wildlife rangers and national military forces often put their lives on the line to protect elephants from the activities of poachers and even irate farmers.

A number of solutions have been proposed to try and stem the tide of illicit killing for the sake of ivory. Some say that worldwide stockpiles of ivory should be released onto the open market. This would likely cause a precipitous drop in price, and make poaching less profitable. Others say that more money should be put into elephant protection, forensic tracking of ivory, and more severe penalties for the perpetrators.

There are arguments to be made for all of these. However, I don't think anything will stop the killing of elephants—whether for their ivory, or because they've trampled a farmer's corn—unless and until human beings stop seeing elephants as disposable vermin, and start seeing them for the intelligent, sensitive creatures they are.


Family of African elephants.
Source: http://www.hedweb.com/animimag/elephant-family.htm


To Support Elephant Welfare

Wednesday, 21 January 2015

Elephant No. 110: Matisse Cut-Out Elephant





Although I've never been a huge fan of Henri Matisse's paintings, I do really like his Cut-Outs, so today I thought I'd try making a Matisse Cut-Out elephant.

Born in 1869, Matisse is perhaps best known as a painter. Despite the fact that he is now recognized as towering figure in the development of Modern art, however, critics sneered at his initial experiments with bold and unusual colours.


Woman with a Hat, 1905
Henri Matisse (1869–1954)
Collection of the San Francisco Museum of Modern Art
Source: Wikipedia


In 1905, Matisse and a few like-minded painters exhibited their work at the Salon d'Automne in Paris. Their work created a sensation—and not in a good way. As I wrote in my original Elephant a Day blog, critic Louis Vauxcelles described their work as "Donatello au milieu des fauves!" ("Donatello amongst the wild beasts!"). This was because their work shared a room with a famous Renaissance sculpture by Donatello. Critic Camille Mauclair had a similar reaction, exclaiming, "A pot of paint has been flung in the face of the public!" Fauvism was born, and painting would never be the same again.


The Horse, the Rider, and the Clown, 1943–1944
Henri Matisse (1869–1954)
© Centre Pompidou, Paris
Source: artfund.org


Over the next few decades, Matisse continued to experiment with colours and forms, and by the late 1940s had all but abandoned painting on canvas for painted paper and a pair of scissors.


Icarus, 1946
Henri Matisse (1869–1954)
© Centre Pompidou, Paris
Source: Tate.org.uk

Although they started out relatively small, over time Matisse's Cut-Outs grew to encompass entire rooms. For those of you who are interested, MOMA (Museum of Modern Art) in New York City is currently featuring the exhibition Henri Matisse: The Cut-Outs, on view until February 10, 2015.


The Parakeet and the Mermaid, 1952
Henri Matisse (1869–1954)
Collection of the Stedelijk Museum, Amsterdam
Source: plainspeakingart
Stedelijk Museum, Amsterdam.


For today's elephant, I began by painting sections of some scrap sheets of artist-quality bristol board. I didn't want to use anything lighter, out of fear that it would ripple or buckle, and I didn't want to use anything heavier for fear of it getting ugly-thick and difficult to glue.

I chose colours I'd seen in various Matisse Cut-Outs, making sure I had a relatively large swath of that iconic Matisse blue. I also painted a section of white, thinking that using white uncoated bristol board might be cheating. Because I was planning to glue my elephant to a relatively small canvas board (5 x 7 inches), I didn't need an entire sheet of each colour. 




I began by cutting out a large yellow shape to fill in a good chunk of the background. I used copious amounts of rubber cement, then covered the piece with a sheet of waxed paper and rolled it flat with a brayer (printmaking roller). I decided to leave removal of the excess glue until the end.

Matisse often used various framing elements, so I cut and glued on bars of pink and white.




I cut out the abstract elephant shape next. Matisse never made things that looked entirely figural, and he appears to have enjoyed adding pointy bits to curves, so I tried to follow suit.

I glued down the elephant and added a bar of green.




Here's where things got tricky. It's not as easy as I thought to fiddle with shapes and colour. Sometimes I liked a shape, but hated the various colours next to one another. Other times I like the interplay of colour, but didn't like the shapes.

Eventually I had a composition I could live with, so I glued all the last bits down and weighted it for a half-hour or so to make sure everything stuck. Then I cleaned off the excess glue.

And here it is. It was harder than I expected, but was actually rather fun to make. Playing with the various elements before gluing was a bit like playing with the flannelgraphs some of us had as kids. It isn't anything like an actual Matisse, of course, and I may yet change it, but for now cheap and cheerful works for me!






Elephant Lore of the Day
Rangers: 1 — Poachers: 0.

In October 2014, a large bull elephant was shot by a poachers' poisoned arrow in Kenya's Tsavo National Park. The aim, of course, was to kill the animal so that its tusks could be removed and sold on the lucrative black market. This elephant's tusks would fetch an estimated $400,000.


A bull elephant hit by a poisoned arrow falls to its knees.
Photo: DSWT/Barcroft Media
Source: Daily Mail


Aerial surveillance crews from the David Sheldrick Wildlife Trust saw the elephant fall to its knees and begin writhing in agony. One of their mobile vet teams moved in quickly, extracting the arrow and administering a dose of long-acting antibiotics to ensure that the elephant made a full recovery.

Although this elephant was lucky, many are not. Demand for ivory, particularly in China, is so high that poachers are killing elephants at the rate of 35,000 a year—or one every 15 minutes. With African elephant herds currently numbering a mere 500,000, it's clear that they may not be around much longer, if killing continues at this rate.


A mobile vet team arrives to save the elephant in the nick of time.
Photo: DSWT/Barcroft Media
Source: Daily Mail


To make matters worse, poachers have taken to poisoning waterholes with cyanide, using poison-tipped arrows, and shooting elephants from helicopters and jeeps. They are not above killing rangers as well. Nor are adult elephants their only targets anymore.


Medics work quickly to remove the arrow and administer life-saving drugs.
Photo: DSWT/Barcroft Media
Source: Daily Mail


Poachers used to concentrate on killing older African elephants with large tusks—first the males, because their tusks are larger, then the females. This has orphaned immense numbers of young elephants, which is disastrous for such social creatures. Now, however, as populations of large adult elephants are being extinguished, poachers are turning to young elephants.

There is some good news, however. Over the past several years, the David Sheldrick Wildlife Trust alone has made more than 2,000 arrests, and has located and removed more than 130,000 elephant snares. Because they use aerial surveillance, and run mobile vet teams in partnership with the Kenya Wildlife Service, they can locate and react quickly to elephants in distress.


The elephant eventually gets to its feet and makes its way back into the bush.
Photo: DSWT/Barcroft Media
Source: Daily Mail



To Support Elephant Welfare