Showing posts with label inktense blocks. Show all posts
Showing posts with label inktense blocks. Show all posts

Monday, 22 June 2015

Elephant No. 140: Inktense Blocks






I wasn't going to make an elephant today, but then I came across a tin of Inktense blocks, and realized I'd never really used them before.

I thought they deserved a large surface, so I decided to work on an 18 x 24-inch (45.7 x 61 cm) sheet of Canson 140 lb. watercolour paper. I almost cut the sheet in half, but I never work big so I made myself stick to using the whole sheet.

I'm always better, of course, drawing from a photograph, so I chose this one by Nick Brandt.


Elephant with Tattered Ears, Amboseli, 2008
Photo: Nick Brandt
Source: www.nickbrandt.com


I began by doing a faint outline in red.




I followed up by adding shading in yellow, orange, blue, green and navy, in that order.








Now comes the fun part. Because Inktense is a water-soluble medium, the pigments become much more interesting when wet. Unlike watercolour paints or pencils, Inktense turns into ink when wet. Essentially, the heavier you draw, the more saturated the colours, and the more ink you have to move around.

To me, it's a bit like those magic-dot pictures in colouring books: just add water and colours appear. I used a small flat paintbrush for most of this, with a finer brush to make a few thin lines.




I liked this quite a lot, but I also wanted slightly more definition, so I waited until this was damp-dry, then added some fine lines and shading on top with a purple Inktense pencil.




The thing I like most about Inktense blocks and pencils is that you can leave some of the sketchy lines as a contrast with the swathes of ink.





I really didn't want to make anything today, but in the end, I'm glad I did. It only took about an hour and a half, and I like it enough that I'll definitely try this again sometime.





Elephant Lore of the Day
This is one of my favourite elephant stories, adapted from the original Elephant a Day blog. A few years back, at a safari camp in Tanzania's Katavi National Park, one of the area's normally well-behaved elephants suddenly took to ripping the canvas flysheets on the camp's tents.

At first it was assumed that the elephant had accidentally stumbled into the canvas. Elephants are usually clever enough to pick their way over guy ropes and other obstacles with no trouble, but maybe this guy was a little clumsy. The safari operators called in a tailor, who carefully sewed the tears in the sheets.

A day or two later, it happened again. This was repeated several times, until the elephant was caught in the act. Resting his tusks on the flysheet at the back of a tent, he gently pushed down on the canvas, causing it to rip. At first no one could figure out why this particular elephant had become so destructive. Then in occurred to them: he simply liked the noise of ripping canvas.

Because the flysheets could only be mended so many times, the safari operators came up with a clever solution. Instead of sewing the flysheets back together, they fastened on new pieces of canvas with Velcro®. The elephant still gets to enjoy the sound of tearing fabric, but now it's easier to put back together.



African elephant near a vintage-style safari camp.
Source: vintagecamps.com


To Support Elephant Welfare

Thursday, 19 September 2013

Elephant No. 17: Inktense Pencils on Fabric





I saw this technique a couple of months ago at an art quilt show featuring, among others, my friend Marie-France Gosselin. Marie-France has a fantastic colour sense, and seems game to try almost any medium on her art quilts. So, when she spoke of using Inktense watercolour pencils on fabric, I decided to give it a try.

For those of you not familiar with Inktense pencils, they're technically like other watercolour pencils, but give you much more saturated colours than any other watercolour pencil I've ever tried. I'm a big fan.




Marie-France mentioned using the Inktense colour blocks as well, so I bought six of them yesterday at a local art store.




I thought about painting on a simple piece of fabric, then remembered that the dollar store has canvas artist aprons for two or three dollars. So I bought one.




There are many different opinions out there on how to go about painting on fabric with Inktense pencils:
• Use unwashed fabric to keep the pigments from bleeding. Which is fine unless you want the pigments to bleed.
• Use textile medium to make the colours more permanent; although textile medium makes the fabric more stiff.
• Ironing the piece afterwards makes the colours permanent; no need for textile medium.
• Using only water guarantees that the colour will fade when washed.
• Using a 50/50 blend of water and textile medium is almost as good as 100% textile medium.
• Water spreads the pigments better than textile medium.

I admit that my head began to spin, so I decided on the following for my piece:
• 50/50 textile medium and water
• Iron it after it dries.
• Wash it sparingly and on the delicate cycle.

To see one artist's tests with different fabrics and liquids, click here.

There are also many different ideas on how to use Inktense pencils and blocks. I liked this tutorial, produced by Derwent, the company that makes Inktense.

I laid the apron on top of a plastic craft sheet, then lightly sketched an elephant on the main part of the apron, using a black Inktense pencil. I followed this by going over the main lines with a violet Inktense pencil.




I tried a tentative bit of shading with my 50/50 water-textile medium and a small, flat brush. You need fairly stiff brushes to work the ink into the fabric.






I didn't have any specific idea about where I was going to go from here, so I just started playing with colour.  I added the following colours in this order: blue, green, orange, yellow and red, with a bit of black for the eyes and a bit of white on the tusks. As I worked, I occasionally painted over the pigment to move it around, sometimes drew over the damp areas with a pencil, and used the blocks to create larger areas of colour.












I also thought the non-elephant part of the apron looked too blank, so I added dots with the same colours (except black and white) across the empty areas.




A few tips if you decide to try this:

• Saturating the colour will lighten it considerably, as it would if you added a lot of water to watercolours or acrylics. It will also cause the pigment to spread and bleed.
• In addition to drawing on dry fabric, then painting over it with water and/or textile medium, you can also dip the pencils or blocks directly into the liquid and draw onto the fabric. This will generally give you more definition.
• Similarly, you can take a dry pencil or block and draw directly onto the damp fabric. This gives you more definition than spreading the pigment with water, but less than dipping the pencil or block into water and then drawing with it.
• As long as the paint is damp, it remains smudgeable. I ended up with quite a lot of pigment on the side of my dominant hand, but luckily didn't smudge things too much.
• The more colours you add, the more murky it can become. This can be fixed, however, by dipping a lighter colour of pencil or block into your liquid, then using it heavily on the area that displeases you.

I'm sure I could have gone much bolder and brighter with my colours, but I'm always afraid I'll go too far, so I left it at this. After letting it dry, I ironed it on both the reverse and the front, using a very hot iron.

I liked this technique a lot. You can get an immense range of effects, from fine lines to washes, and the pencils come in a nice range of colours. It's not a terribly messy activity, and a design as simple as this works up quickly.

I painted on fabric with acrylic paint in my original blog, but I think this might just replace that technique for any future fabric-painting adventures.





Elephant Lore of the Day
Like most sneak thieves, elephants prefer dark nights for their raids.

Scientists studying elephant herds in Africa have discovered that elephant raids on local crops vary with the lunar cycle. Having learned that farmers can see them under a full moon, elephants have apparently changed their behaviour to avoid moonlit nights.

The research was undertaken near five villages on the northern boundary of Tanzania's Mikumi National Park, where elephant raids were common. Surprisingly, it was discovered that elephants have altered their behaviour to avoid encounters with humans. Not only did they raid only at night, but were also far less likely to go anywhere near the villages when the moon was at its fullest.

Many animals have biological clocks that are attuned to lunar cycles, and many avoid the full moon to avoid being eaten. Elephants, however, appear to have taken it one step further, having learned that if they plunder fields on the darkest days of the month, they are more likely to avoid being hassled by angry farmers.

To read the full story in the online Daily Mail, click here.


Elephants under a full moon.
Photo: ©Konrad Wolhe/MindenPictures/Corbis
Source: http://www.dailymail.co.uk/sciencetech/article-2380585/Elephants-
like-dark-night-crafty-crop-raids-Animals-avoid-moons-hunting-food.html


To Support Elephant Welfare
Boon Lott's Elephant Sanctuary (Thailand)
Wildlife SOS (India) 
 
The Elephant Sanctuary (Tennessee